Space Cops
Saturday, June 12th, 2010Shannon Prickett,
June 12, 2010
Sketch a Venn diagram. One circle is HARD SF by which I mean scientifically plausible (or almost) fiction. A second circle is SPACE OPERA by which I mean dramatic or melodramatic adventures in the vast spaces between worlds. The third and last circle is POLICE PROCEDURAL by which I mean a story focusing on the actions of law enforcement meant to capture the (sometimes tedious) details of their work. At the space where those three circles overlap is Alastair Reynolds’s book The Prefect.
If you are not into all of those, this book is going to misfire for you, in all likelihood. Fortunately for me, this is my sweet spot. The SF isn’t all that hard compared to some of his other books, but it was sufficiently robust; the opera isn’t all that melodramatic but it did have a larger than life threat, moments of emotional irony and loud bombastic characters; the procedural is mostly field work and demonstrating adaptability. These all seemed to me to be compromises meant to not push the novel too far out of the overlap in any one direction. Best of all, it works.
In a future where a distributed society (humans, uplifted warpigs, post digital sentience) takes voting Very Seriously Indeed, the police agency we follow about in this narrative are the election prefects. They investigate voting irregularities, enforce the will of the people if needed, and defend the polity from disruptions, both internal and external. It’s structured in the way I expect an Alastair Reynolds book to be, with a progressively exposed and escalating threat, likable but flawed protagonists, gradual exposure of underpinnings like an onion being peeled.
Now, I’m reading this in the context of someone who’s read other Alastair Reynolds books but it seems to me that if you have never read his stuff, this book is probably an accessible if meaty jumping on point. This book would lead fans of N!C!I!S! or CSI:MiamYEEEEEEEEAAAAAAAAAH or Law & Order: Criminally Ingenious into Reynolds’s SF universe following the thread of the Great Detective protagonist. Tom Dreyfus, in this book, is Goren, he’s Gibbs, he’s Horatio, he’s Sherlock, he’s the messed up, twisted up inside, too sharp for his own good, driven by circumstance, caught in the spider’s web, hero.
Back by popular request, my book review lists:
- People who might like this book
- Fans of Police Procedural TV shows
- SF readers looking for a meaty satisfying entry to an intricate universe
- People who can’t WAIT to be digitized and give up their bodies to gain awesome super powers
- People who love democracy. Really really love democracy.
- People who might not like this book
- People looking for something shorter, like the OED
- People who are looking for a book exploring the complex inner life of a troubled girl who never goes anywhere or does anything
- People who are interested in the tactical games played in societies with strict social mores in order to gain or avoid an arranged marriage to a Person of Influence
